The thing is, psychological melodrama has been done before and done better. Silent Hill 2 pulled it off well by video game standards, sure, but an accurate adaptation into a movie would be forgotten in no time underneath the shadows of the Shutter Islands and Black Swans out there. The thing that Silent Hill DOES do better than anything else is the hellish worlds, the surreal monsters, the atmosphere, and I don't think they should cut back on what makes it memorable. We can moan all we want about Pyramid Head and boobalicious nurses outside of James' fantasies, but nobody ever forgets these things. Any time I mention Silent Hill to non gamer friends they all say "Oh wow, that one with the huge triangle helmet guy, frightened the shit out of me", not "The one with the mum looking for her adopted child."teosoleil wrote:I agree. If the team behind a Silent Hill movie aimed to do a psychological thriller (or even psychological melodrama), I think there would be a better end result.
Agreed, with both of you, but also, a lot of the complaints about this film are about bad dialogue and exposition, as well as fast pacing, but these things are all so subjective. I wanted to contest your 'some want art, some want entertainment' sentence though; art is subjective, and is a hard thing to define. Many forms of art are as controversial as film, stuff like Damien Hurst get some people drooling whilst others are offended by the very idea that it could be considered art, who wax lyrical about how the medium is being destroyed. I personally hate the idea that films should all fit into such a mould, where the pacing has to be a certain way or characters have to talk in a certain way.KoRn_Child wrote:I agree 100 percent. Not only are taste and intelligence in no way related, but also different people go into films (or any other media) looking for different things. Some people want art, and some people simply want entertainment. Obviously it's a lot more complicated than that, but that's the gist of what I mean.Silent Fantasy wrote:And I know you didn't bring it up yourself, but i'm just going to say for anyone else wanting to make a comment about it just because they hated the movie. Someone who likes this film, or any film considered mindless or horrible for that matter, does not mean that person is somehow less intelligent than you nor does it mean that they are too ignorant to see the faults in it.
In the case of Revelations, if you are looking for an entertaining (albeit cheesy) cliffs-notes adaptation of SH3 with a shit-ton of references for the fans to pick up on then the movie absolutely delivers. That's why, despite my overwhelming disappointment with the film, I voted for the second option in the poll above. I would never say Revelations is a good film, but I also can't say I wasn't entertained. I just felt SH3 (and the entire series, really) deserved something more cerebral and skillfully crafted than what we got.
A lot of my favourite films get berated for having poor dialogue but I personally like when a script is a little 'pantomimey', some of my favourite lines in SH1 were ones which a lot of people on here laugh about (the whole 'mother is god' thing, Dahlia's ramblings, Christabella's speeches), and I love when a movie does things differently (e.g. faster or slower pacing than standard, ignoring the 3-act structure...), and I don't apologise for this or use silly terms like "guilty pleasure". People always act like there's such an objective 'good' and 'bad' for films, using this unnecessary criteria to judge them by, when some of the best films of all time threw these rules of pacing and such out of the window and did their own thing.
Critics do judge by a criteria, almost like a teacher grading homework for how much it 'gets right', but art can't be judged in such a way, and no piece of art could ever be deemed subjectively bad, no matter how qualified or experienced the person attempting to label it is. Sure, there's 'bad art' in the sense that somebody may have attempted one thing and made a complete mess of it, failing to meet it's intention, but at no point did anybody promise that SH Revelation would be a film with realistic dialogue, nor did anybody express any intent of giving it traditional pacing.
Some of my favourite horror films of the last decade have been Rob Zombie's Halloween 1 & 2, Human Centipede 2, Friday the 13th 2009 (no, really), House of 1000 Corpses and Wilderness, and some of my favourites in other genres this same period have been Watchmen, Sucker Punch, Rampage and The Imaginarium of Dr. Parnassus... Pretty much all of these had similar responses, a lot of hatred and a lot of love but very little inbetween, so this pattern is giving me really good feelings about Revelations, but if it does go down well with me, I'm not looking forward to having to explain myself the way I often do with the movies I listed above.
I'm saying all this, for all I know I could hate it as much as half the people on here did, but hey, I'm having fun discussing this.